Maurizio Montobbio – Lighting Designer – Subject/Subjects Offered: Light Designer – Classes Offered: One On One Lessons / Lecture / Seminar

2019 THE FANTASTICKS, staging David Levi and Doug Fitch, Musical direction by David Levi. Lectoure.

L’ENFANT ET LES SORTILÈGES de Colette/Ravel. Jeune Opéra de France. M. en sc. Bénédicte Budan.

Opéra de Clermont Ferrand et tournée.

2018 GABY MON AMOUR, written by Jean Christophe Born, staging Mark Nadler. Théâtre Déjazet, Paris.

GROTESK musical comedy by Bruno Maccallini. Teatro La Cometa, Rome.

2017 THE ADDAMS FAMILY musical comedy, directed by Ned Grujic. Prod. SO.GE.TE. Le Palace, Paris.

Nomination for the Trophées de la Comédie Musicale.

2007 THE DIVINE COMEDY the Opera, by Marco Frisina and Gianmario Pagano. Nova Arts Production,

Rome. Staging by Daniele Falleri and Elisabetta Marchetti.

Visual Direction by Paolo Micciché.

MACBETH, by G. Verdi. The Washington Opera, Kennedy Center, Washington, USA.

Direction and Visual Direction by Paolo Micciché. Costumes by Alberto Spiazzi.

LA FINTA SEMPLICE by W.A. Mozart. Directed by Gino Zampieri. Sets and costumes by

Luca Antonucci. Thêatre Populaire Romand, La Chaux de Fonds, Switzerland.

2005 DON GIOVANNI by W.A. Mozart. Teatro Carlo Felice, Genoa.

Directed by Davide Livermore, sets by Santi Centineo, costumes by Botto e Bruno.

2004 THE WELLS OF THE SAINTS by J.M. Synge. Directed by Bruno Sachel. Sets and costumes by Luca

Antonucci. Théâtre Orlamonde/Equinoxe, Vendôme, Chateauroux, France.

GENOA EUROPEAN CULTURAL CAPITAL 2004. Opening show at the Old Port.

With La Fura dels Baus and an audience of 50.000. General coordination by Francesca Perrazzelli.

2003 FAGOTTO / BATACLAN by J. Offenbach Production by Opéra de Lyon.

Directed by Caio Gaiarsa, sets by Beto Mainieri.

2002 LE PARADIS written and directed by Bruno Sachel. Sets and costumes by Luca Antonucci.

Théâtre Orlamonde/L’Hectare. Vendôme, Tours, France.

2000 JOYAUX by G. Balanchine. Paris Opera Ballet, Palais Garnier.

Sets and costumes by Christian Lacroix.

2000 – 2008 MARCADÉ EVENTS SA Paris, France. International events por the world of luxury and fashion:

Bulgari, Cartier, Ferragamo, Ungaro, Chaumet, etc.

1999 EMMA B. Choreography by Jean Grand-Maitre. Sets by Guillaume Lord.

Costumes by Martine Bertrand. Bayerische Staatsballett, Munich, Germany.

1998 ALCINA by G.F. Haendel. Directed by Carlos Barcena. Sets by J.J. Le Corre.

Video-art by Marc-Joseph Sigaud. Costumes by Dominique Burté. Opéra de Nancy-Lorraine.

THE UNSUNG Choreography by Josè Limon, staged by Carla Maxwell.

ECCLESIA Choreography by Jean Grand-Maitre. Scene by Guillaume Lord.

Costumes by Martine Bertrand. Bayerische Staatsballett, Munich.

1997 SWAN LAKE Choreographed and directed by Patrice Bart. Staatsoper Unter den

Linden, Berlin. Broadcasted live by HDTV on ARTE TV. Bel Air Productions and VTHR.

TRYST with Mikhaïl Baryshnikov. White Oak Dance Project.

HEARTBEATS with Mikhaïl Baryshnikov. White Oak Dance Project.

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EJA MATER Choreography by Jean Grand-Maitre. Set by Guillaume Lord.

Costumes by Martine Bertrand. Paris Opera Ballet, Palais Garnier.

1996 PAGLIACCI by R. Leoncavallo. Directed by Carlos Barcena. Sets by J.J. Le Corre.

LA STRADA by N. Rota. Choreography Larrio Ekson. CoProduction Théâtre de Caen-Opéra de Rouen.

Nomination “Victoires de la Musique” best opera staging

Soirée BALANCHINE/STRAVINSKY. Paris Opera Ballet, Palais Garnier.

BALANCHINE-TCHAIKOVSKY. Paris Opera Ballet, Opéra Bastille.

GISELLE Choreography by Patrice Bart. Teatro alla Scala Ballet, Milan.

With Alessandra Ferri, Massimo Murru and Roberto Bolle.

Opening night broadcasted live on ARTE TV by Bel Air Productions.

THE MERCHANT OF VENICE by W. Shakespeare. Directed by Antonio Syxty. Set and costumes

by Emanuela Pischedda. With Lia Tanzi and Giuseppe Pambieri. Teatro Romano in Verona.

1995 LA VEGLIA DEGLI ANGELI Choreography by Jean Grand-Maitre. Set by Guillaume Lord.

Costumes by Martine Bertrand. Teatro alla Scala Ballet, Milan.

1994 AGAMEMNON and THE CHOEPHORES by Eschilo/Pasolini. Directed by Antonio Syxty.

Set and costumes by Emanuela Pischedda. Teatro OUT-OFF, Milan.

MUCH ADO ABOUT NOTHING by W. Shakespeare. Directed by Antonio Syxty. Sets and costumes by

Emanuela Pischedda. Festival by Borgio Verezzi and Teatro Carcano, Milan.

PINOCCHIO. Directed by Tonino Conte. Set and costumes by Emanuele Luzzati.

Production by Teatro della Tosse, Genova. UBU price 1995 for best set design.

1992 SWAN LAKE Choreography by Patrice Bart.

Paris Opera Ballet, Opéra Bastille. With Patrick Dupond.

Broadcasted live by HDTV on ARTE TV. Bel Air Productions and VTHR.

1991 GISELLE Choreography by Patrice Bart and E. Polyakov. Paris Opera Ballet, Palais

Garnier. Revived in 1995 at the Opéra Bastille. Sets by Loïc le Groumellec.

1990 THE MARRIAGE OF FIGARO by W.A. Mozart. Paris Opera, Opéra Bastille, with Cecilia Bartoli.

Directed by G. Strehler, restaged by Marina Bianchi, sets by E. Frigerio. Costumes by F. Squarciapino.

DISSEZIONI by Bruno Maccallini. Directed by Salvatore Cardone. Rome.

1987 CENDRILLON by Peter M. Davies. Produced by the Paris Opera, Opéra-Comique.

Directed by Richard Caceres. Set by Claude Maury. Costumes by Christian Lacroix.

1985 THE RAPE OF LUCRETIA by B. Britten. Hartt School of Music, Hartford, Connecticut, USA.

Directed by Adelaïde Bishop.

LES ROMANTRIQUES (The Fantasticks). Directed by Richard Caceres.

Jeunesses Musicales de France, Théâtre Le Ranelagh, Paris.

TRAINING, EDUCATION

• Lighting crew member during nine years at the Genoa Opera (Teatro Carlo Felice)

• Lester Polakov’s Studio and Forum of Stage Design, New York, NY.

• Former member United Scenic Artists, Local USA 829, New York.

• Training in safety and fire regulations.

• Training in management at CNAM, Paris, France.

• Master Degree in Technical Direction in Performing Arts and Events. C.F.P.T.S. Paris.

• Trainer in lighting design at C.F.P.T.S. https://www.cfpts.com/

SOFTWARE

• AutoCAD, Premiere Pro, Word, Excel, Outlook. Windows and multiple freeware.

“Quanto è magico entrare in un teatro e vedere spegnersi le luci. Non so perché. C’è un silenzio profondo, ed ecco che il sipario inizia ad aprirsi. Forse è rosso. Ed entri in un altro mondo.” (David Linch)

Coach Language: English/French/Italian